by Eric Twardzik
“Choosing a tie has to be an irrational act.”
This maxim, issued by the founder of E. Marinella, comes from a man submerged in neckwear. And yet it speaks to our own ethos concerning the tie. We don’t need them to keep us warm, protect us from the elements, or to wipe our mouths with (though feel free to do so with any Ralph Lauren factory/outlet tie). They serve a higher purpose. As Glenn O’Brien reasons in How to Be a Man, “The tie’s only function is beauty. It is an emblem of art and artifice.” And art is anything but rational.
It’s true that ties have become a rarer sight in our ever more casual world, but we’re not complaining. We’d rather see the necktie embraced by those wearing them out of free will rather than compliance. And if you’re anything like us, there’s no point in volunteering for tie duty unless you’re going to wear the very best—and that brings us to Drake’s.
The London maker offers scores of new ties with each season. And while the colors, patterns, and prints offer more diversity than a Brown admissions brochure, each collection is united by a triptych of details that have collectively become known as sort of a Drake’s signature.
Almost all feature hand-rolled edges, a flared back blade, and—perhaps the most noticeable peculiarity—blades without tipping. “Tipping” refers to the fabric that backs most modern ties at each blade’s end. While the de rigueur practice of the day, tipping was historically seen as slightly suspect, as if it were concealing lazy craftsmanship.
By intentionally foregoing tipping, Drake’s casually pulls off the sartorial equivalent of a humble brag. The result is a relaxed—you might even say “floppy”—gait that emphasizes the hand-rolled edges, flared back blade, and devil-may-care rakishness of its ancestor, the cravat scarf.
Highlights from the Spring '18 season employ interesting fabrics from Drake’s enormous offering. There are vibrantly colored tile and medallion prints in Panama silk, a lightweight textile known for its open, textural weave, matte finish, and remarkable knack for retaining bright hues. There is an orange mini circle and diamond print imbued with the luminosity unique to foulard silk. An abstract, rounded square print in navy uses the chalky power of madder silk to leave its mark.
It’s nearly impossible to pick a favorite. But if you really press us, we’ll shamelessly admit to fawning over these preppier designs: the medallions, the dots, the motif of a green sailing boat emblazoned on a silk/cotton blend. It’s just the right mix of texture, sheen, and weight and pairs perfectly with our English khaki cotton suit. The entire collection is so beautifully designed that you can be irrational in your choice and yet still be rationally dressed.